Literary Wonderlands proved to be a great success for publishers Modern Books and Black Dog & Leventhal, which means that a follow-up is coming out this autumn. Edited by Professor John Sutherland (Lives of the Novelists), the new book is called Literary Landscapes, and I was delighted to be asked to contribute to it. Consequently I have written the chapters on Jane Austen’s Persuasion and Mary Shelley’s Frankenstein. The latter especially was a real privilege; Mary Shelley is buried not four miles from my office, so it’s perhaps inevitable I’ve long been a fan. So much so that in 2011 I organised a screening of the 1931 film Frankenstein, together with Ken Russell’s Gothic (a wild drama about the events in 1816 which led to the writing of the novel), as a special closing night crossover between the Poole Literary Festival and the Purbeck Film Festival. Before the screening I was part of an on-stage discussion about the legacy of Mary Shelley with author Christine Aziz (The Olive Reader) and John Foster, Screenwriter-in-Residence at Bournemouth University. And it all took place on Halloween! Afterwards I went with my wife to St. Peter’s Church in Bournemouth, where Mary Shelley is buried along with the remains of her husband Percy’s heart, to pay our respects. When Shelley Manor in Boscombe was renovated and the old Shelley theatre opened for the first time in nearly a century we were there on the first night for a performance, by candlelight, of the play A Summer Without Sun, again about the events resulting in the writing of Mary’s most famous novel. So yes, a long time fan. And when Sir Christopher Frayling came to St. Peter’s Church this February and gave a most informative lecture about the history of the novel I was there. So it was wonderful in this 200th anniversary year of the novel to be able to pen a chapter about the application of landscape in Frankenstein. Having studied geography at university, I found several of my lifelong interests converging in this project. In the end I’m just thrilled to have written the chapters on the work of the two most important female writers of all time for Literary Landscapes. I just hope I’ve done Mary and Jane justice. Literary Landscapes now has a page on Amazon, and is out on October 16. Literary Wonderlands is available here. Update: Since writing the post above I have found from the publisher that my chapter on Frankenstein, commissioned for Literary Landscapes, will now appear in the third volume in the series, Literary Journeys.
Tagged: John Sutherland
I am thrilled that I have received a high quality image for the cover of Literary Wonderlands. I have written four chapters for the book, my chapters being on I, Robot by Isaac Asimov, Peter Pan in Kensington Gardens by J.M. Barrie, Invisible Cities by Italo Calvino, and Snow Crash by Neal Stephenson. Here is the official blurb: Literary Wonderlands A Journey Through the Greatest Fictional Worlds Ever Created by Laura Miller, General Editor. Contributions by Lev Grossman, John Sutherland, and Tom Shippey A glorious collection that delves deep into the inception, influences, and literary and historical underpinnings of nearly 100 of our most beloved fictional realms. Please note: The ebook edition is text-only, illustrations are not included. Literary Wonderlands is a thoroughly researched, wonderfully written, and beautifully produced book that spans two thousand years of creative endeavor. From Spenser’s The Fairie Queene to Wells’s The Time Machine to Murakami’s 1Q84 it explores the timeless and captivating features of fiction’s imagined worlds including the relevance of the writer’s own life to the creation of the story, influential contemporary events and philosophies, and the meaning that can be extracted from the details of the work. Each piece includes a detailed overview of the plot and a “Dramatis Personae.” Literary Wonderlands is a fascinating read for lovers of literature, fantasy, and science fiction. Laura Miller is the book’s general editor. Co-founder of Salon.com, where she worked as an editor and writer for 20 years, she is currently a books and culture columnist at Slate. A journalist and a critic, her work has appeared in the New Yorker, Harper’s, the Guardian, and the New York Times Book Review, where she wrote the “Last Word” column for two years. She is the author of The Magician’s Book: A Skeptic’s Adventures in Narnia and editor of the Salon.com Reader’s Guide to Contemporary Authors. Literary Wonderlands is published in the US on 1 November, and in the UK on 25 November.