My name is Gary Dalkin. Whatever your writing needs, drawing on my 25 years experience as a published writer and editor, I can help. I am a writer and editor specialising in structural editing, (also known as substantive or developmental editing / manuscript critique or assessment). Additionally I provide a range of other editing services for authors, as well as copy-editing and proofreading for non-technical college and university work.
I provide a friendly, reliable, honest service. I do all the work myself – no out-sourcing or delegating work over to temps or unpaid interns – and I do so at competitive rates. I am neither the cheapest nor the most expensive, but many satisfied clients tell me I am one of the best (visit my references page).
My contact information is here and a rather intermittently updated blog featuring news about my work and a selection of interviews and reviews plus some articles originally published in Writing Magazine can be found here.
My anthology, Improbable Botany, launched in paperback in 2018 and is now available as an e-book from Amazon. This speculative fiction anthology contains original stories by Rachel Armstrong, Cherith Baldry (Erin Hunter), Eric Brown, Simon Morden, Adam Roberts, James Kennedy, Ken MacLeod, Stephen Palmer, Justina Robson, Tricia Sullivan and Lisa Tuttle, who between them have won most of the major awards in science fiction and fantasy publishing.
Other books I worked on which were published in 2018 include Entrenched by David Lawrence-Young, the fifth novel I have edited for this prolific author, Find Another Place by Ben Graff, Out Of The Mist by Lynne Chitty, Spaghetti Head, by Sarah Tyley, and Marco and the Pharaoh’s Curse by Paul Purnell. All profits from this last title are being divided between the charities Guide Dogs for the Blind and Hearing Dogs for Deaf People.
Slightly older projects include Andrew David Barker’s award-nominated Dead Leaves, The Conscript by Nate Kirtis, Do It – Cycling Around The World For A Laugh by Adrian Besly, Seek The Throat From Which We Sing by Alex CF, and Dangerous Score by Michael Bearcroft.
In 2016 I wrote four chapters for Literary Wonderlands: A Journey Through The Greatest Fictional Lands Every Created, which was published in the US by Black Dog & Leventhal, then in the UK in 2017 by Modern Books. My chapter on Persuasion by Jane Austen appears in the follow-up, Literary Landscapes, published in October 2018. I have since penned a chapter on Mary Shelley’s Frankenstein for the third book in the series, Literary Journeys.
I contribute every month to Writing Magazine, the UK’s best-selling magazine for writers, and am a columnist for the newly relaunched Amazing Stories, the world’s first and oldest science fiction magazine. Launched in the late summer, issue one featured my interview with the award-winning author of Rosewater and The Murders of Molly Southbourne, Tade Thompson. Issue two, fell through the letterbox just as I was writing this before I close the office for Christmas, includes my interview with another award-winning Author, Nina Allan – The Rift.
One project I am particularly proud of was editing the definitive biography of film composer John Barry – The Man With The Midas Touch by Gareth Bramley, Geoff Leonard and Peter Walker. I have worked as a freelance journalist or editor for Amazon, BBC Magazines, Blackfish, Classical.com, Gramophone, The Guardian, HMV, Interzone, London Symphony Orchestra, Naxos, Musicweb International, Los Angeles Review of Books, Northern Stage, Royal Opera House, Royal Philharmonic Orchestra, SFX and many others.
I am a former editor of Vector: The Critical Journal of the BSFA and a former judge of the Arthur C. Clarke Award. I played a key role in the launch of the international New Media Writing Prize. I have written extensively for Amazing Stories, and conducted many interviews, mainly with writers, but also with musicians and film industry creatives, some of which you can find links to here.
You can read more about my background and see a list of publications I have contributed to here.