Category: Publishing

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Literary Wonderlands – UK edition photos and raffle prizes

The UK edition of Literary Wonderlands is now out, published by Modern Books. Here you can see the UK edition, the beginning of my chapter about Peter Pan in Kensington Gardens by J.M. Barrie, and the US edition playing spot the difference. I also wrote the chapters on I, Robot (Isaac Asimov), Invisible Cities (Italo Calvino) and Snow Crash (Neal Stephenson). I will be taking two copies to Sledge Lit 3 at the Quad in Derby on Saturday (25 November), where they will be joining many other fine books as prizes in the raffle.  

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Dead Leaves – award nominated

I’m delighted to see that Dead Leaves, the new book by Andrew David Barker, for which I provided a developmental edit, has been declared runner up in the This Is Horror 2015 Awards for Best Novella. The book has received great reviews from The Eloquent Page, Mark West and James Everington. Andrew was kind enough to say ‘Gary Dalkin’s work on my second book, Dead Leaves, was invaluable. He was precise, succinct, with a fine attention to detail. Dalkin guided my story to publication with fair and balanced criticisms and queries, and picked up on things I probably wouldn’t have ever noticed. In short, his sharp critical eye improved my words and my book. An excellent editor.’ Above is a photo of...

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Interview: Jonathan Oliver, editor-in-chief, Solaris Books

Jonathan Oliver is one of the UK’s top genre editors. He is also a novelist, short story author and creator of shared-worlds. Recently I interviewed him by email. – Gary Dalkin: “You are editor-in-chief of three imprints – Solaris, Ravenstone and Abaddon Books – all published by Rebellion Publishing Ltd. What is your background and how did you end up in your current position? Perhaps for readers who are not familiar with Rebellion you could outline the idea behind each of …

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We Need To Talk About Lionel (Shriver)

When it comes to literature men in the UK, US and Germany are reportedly in a tiny minority, reading just 20% of all fiction. Or so, writing in the Guardian, says Lionel Shriver. I don’t know if this is true. I know lots of men who read lots of fiction. Perhaps they are not representative. But then I assumed Lionel Shriver was a man. It’s an easy mistake to make. Shriver, a woman who changed her name from Margaret Ann, and won the female-only Orange Prize for Fiction for We Need to Talk About Kevin, offers what starts out as an excellent article about sexism in book marketing and cover design. She argues that despite the content of her novels having appeal...