Apr 242013
 

Objects-in-Dreams-Lisa-Tuttle

Lisa Tuttle has long been one of the masters of the deeply unsettling tale. Last year her short story Objects in Dreams may be Closer than they Appear opened Jonathan Oliver’s excellent anthology, House of Fear, a collection of haunted and otherwise strange homes. That was one of my favourite books of the year, and that Tuttle’s tale was chosen to open a volume containing new work by such writers as Chaz Brenchley, Eric Brown, Christopher Fowler, Garry Kilworth, Joe R. Lansdale, Tim Lebbon and Christopher Priest says something of the quality of the tale. It is no surprise therefore to find Objects in Dreams… reappear so quickly as the title story and opener of her latest collection of short fiction, a mixture of Horror, Fantasy and SF stories, and a book I have chosen as my single favourite new genre title of 2012.

(At this point, in the interests of full disclosure, I should say that I was a judge of the Arthur C. Clarke Award at the same time as Lisa Tuttle, count her as a friend and am currently working with her on a publishing project. That said, I wouldn’t be writing about this book, which I bought with my own money, if I didn’t mean every word I say about it here. I don’t get anything out of singing its praises).

Objects in Dreams in a slim volume of 156 pages published by the British Newcon Press. It is beautifully produced in a signed limited edition hardback (125 copies, £19.99, available from Newcon Press though there will, based on other titles from Newcon Press, be an ebook available soon for considerably less. Tuttle’s collection is volume 4 in the Imaginings series of single author collections, which has previously featured Tanith Lee, Stephen Baxter and Tony Ballantyne, and will soon offer volumes from Nina Allen and Pat Cadigan.

There are nine stories, ranging from the 1989 BSFA (British Science Fiction Association) Best Short Story winner, ‘In Translation’, to the 2007 International Horror Guild winner, ‘Closet Dreams’, and right up to date with the previously unpublished ‘Paul’s Mother’.

The title story recounts a surprisingly difficult attempt to find a house in the English countryside, a house best left unexplored. In ‘Old Mr. Boudreaux’ a woman returns to her childhood Texas home and honours a promise made to her dying mother. A Cold Dish is a darkly humoured tale of motherhood and revenge in a near future America, while In Translation finds a man so entranced by newly arrived and enigmatic aliens that he can’t appreciate the love he has. Ragged Claws is a science fiction piece about the lure of a better life on an alien world, and a not entirely trustworthy account of the journey to Eden. The Man in the Ditch is a fine English ghost story with a hint of Don’t Look Now. Shelf Life is another outstanding chiller, featuring a haunting doll’s house. Simply telling my wife about this one gave her delicious chills. Paul’s Mother is another gem, spinning marrow-freezing tragedy out of a rather familiar idea. The closing Closet Dreams is an American nightmare, a surreal memoir of child abduction that offers no escape.

There isn’t a weak piece in Objects in Dreams and everyone will have their favourites. Tuttle is an expert at crafting quiet domestic horror, a nightmare escalating until it can not be ignored, inevitably reaching a terrifying conclusion. The stories are often walk the line between British ghost fiction, the more generally supernatural and surreal, and the hinterland of psychological uncertainty and disquiet. They are character stories, often though not always, about middle-age women, exploring deep anxieties through personal odysseys most of us would prefer not to take. Tuttle’s stories are not for gore-hounds, though very unpleasant things happen in most of them. Rather they are for those who like their dread subtle but lingering, the inexplicable, unshakable feeling of wrongness on a sunny day.

A Newcon Press sampler can be purchased in ebook form from Amazon.com for $0.99, or from Amazon.co.uk for £0.77.

The sampler showcases Newcon Press titles from 2012 and 2013, featuring stories from Nina Allan, Tony Ballantyne, Chris Beckett, Gary McMahon, Mercurio D. Rivera, Lisa Tuttle (‘Ragged Claws’), and Adrian Tchaikovsky.

Dec 212012
 

Amazing Stories, the world’s first science fiction magazine, opens for Beta Testing of Phase 1 on Wednesday, January 2nd, 2013.

Fifty+ Writers Sign On to provide genre-related content!

Experimenter Publishing Company

Hillsboro, NH

December 20, 2012

AMAZING STORIES are just one click away!TM

The Experimenter Publishing Company is pleased to announce the  reintroduction of the world’s most recognizable science fiction magazine – AMAZING STORIES!

Set to relaunch with a Beta Test of its new Social Magazine Platform, Amazing Stories will feature content from 50+ bloggers, covering an enormous array of subjects of interest to genre fans.

“We’ve got authors and agents, bloggers and editors, pod casters and broadcasters; we’ve got gamers and game designers; artists and art collectors; pulpsters and indie authors; we’ve got Hugo winners, John W. Campbell Memorial Award winners, John W. Campbell Best New Writer winners, Nebula and Hugo Award winners and nominees and winners and nominees of many other awards;  people who review films, people who make films; we’ve got fanboys and fangirls; we’ve got former editors of Amazing Stories, writers who’ve become synonymous with the field and writers who are just getting started; comic artists, book reviewers; traditionally published authors, self-pubbed authors and authors who’ve done it all.  The response to my request for participation was phenomenal – it couldn’t be more perfect if I had set out with a list of must-haves!” said Steve Davidson, publisher.

Amazing Stories’ Social Magazine platform is designed to create an interactive environment that will be familiar to fans with blog content designed to encourage discussion and take things beyond the usual user-generated content model for social networks.

The Amazing Stories Blog Team will cover (for now – more coming!) fourteen popular topics – Science Fiction, Fantasy, and Horror, (lit), Film, Television, Gaming, Comics and Graphic Works,  the Visual Arts, the Pulps, Audio Works,  Anime, the Business of Publishing, Science and Fandom itself.

At this year’s Worldcon (Chicon 7 the 70th Worldcon, Chicago), Toastmaster John Scalzi talked about what it was to be a fan and concluded by saying

 We are diverse – and we are all in this together.”

We are diverse – and we are all in this together, a sentiment that captures the very heart and soul of what it means to be a fan.  Amazing Stories aims to be a vehicle through which the diversity of fandom can come together.

Amazing Stories’ relaunch will take place in two phases.  Those interested in participating in the Beta Test of Phase 1 should contact the publisher at steve.davidson33@comcast.net.  Participants will receive full access to the site with Member status and will receive on-site benefits as the project moves forward.

Phase 2 will introduce additional interactivity and user-customization to the site.  Following the completion and testing of Phase 2, the magazine, featuring both new and reprint fiction, essays, photo galleries, reviews and more will begin publication.  Readers who are interested in what the magazine will look like can read two Relaunch Prelaunch issues on line, or download them from the Amazing Stories store.  (Additional Amazing Stories themed product is also available here.)

 

Experimenter Publishing is pleased to introduce the Amazing Stories Blog Team:

Cenobyte, Mike Brotherton, Ricky L. Brown, Michael A. Burstein,

Catherine Coker, Johne Cook, Paul Cook, Gary Dalkin, Jane Frank,

Jim Freund, Adam Gaffen, Chris Garcia, Chris Gerwel, Tommy Hancock,

Liz Henderson, Samantha Henry, M. D. Jackson, Monique Jacob,

Geoffrey James, J. J. Jones, Peggy Kolm, Justin Landon, Andrew Liptak,

Melissa Lowery, Barry Malzberg, C. E. Martin, Farrell J. McGovern,

Steve Miller, Matt Mitrovich, Aidan Moher, Kevin Murray, Ken Neth,

Astrid Nielsch, D. Nicklin-Dunbar, John Purcell, James Rogers,

Diane Severson, Doug Smith, Lesley Smith, Bill Spangler, Duane Spurlock,

Michael J. Sullivan, G. W. Thomas, Erin Underwood, Stephan Van Velzen,

Cynthia Ward, Michael Webb, Keith West, John M. Whalen, Ann Wilkes,

Karlo Yeager, Leah Zeldez

 

BACKGROUND:

Originally published in 1926 by the father of science fiction, Hugo Gernsback, Amazing Stories helped to launch both the science fiction genre and its most enduring feature, science fiction fandom.  The magazine is well known for its Frank R. Paul covers and for publishing the first stories by many iconic authors such as Isaac Asimov, Jack Williamson and Ursula Le Guin.  Published continuously from 1926 until 1995, followed by two brief resurrections from 1998 till 2000 and again from 2004 thru 2005.  In 2008 Hasbro, the then current owner, allowed the trademarks to lapse and publisher Steve Davidson applied for and eventually received them in 2011.

Additional history and background on Amazing Stories can be found at the Science Fiction Encyclopedia and Wikipedia.  A complete gallery of all 609 previous issues with publication history is also available.

The Experimenter Publishing Company was created in 2012 for the purpose of returning Amazing Stories magazine to regular publication.  The company  shares the name of the original magazine’s publisher as homage.  The trademarks for Amazing Stories were acquired by Steve Davidson in 2011,  the previous owners having allowed the marks to lapse in 2008, at which time application was made for a new incarnation of the same title.

 

CONTACT:

For more information regarding Amazing Stories, the Blog Team and the Beta Test of the new site, please contact Steve Davidson via email at steve.davidson33@comcast.net.

To contact one of the Blog Team:

Cenobyte http://www.cenobyte.ca

Mike Brotherton http://www.mikebrotherton.com

Ricky L Brown http://doctorfantastiques.com/author/rickbrown

Michael A Burstein – http://www.mabfan.com , http://www.bursteinbooks.com

Cait Coker http://www.aggiescifi.wordpress.com

Johne Cook https://twitter.com/theskypirate

Paul Cook http://www.paulcook-sci-fi.com

Gary Dalkin http://www.tothelastword.com

Jane Frank http://www.wow-art.com

Jim Freund http://www.hourwolf.com

Adam Gaffen http://www.thekildaran.blogspot.com

Chris Garcia http://efanzines.com/DrinkTank

Chris Gerwel http://elflands2ndcousin.com

Tommy Hancock http://www.allpulp.blogspot.com , http://www.prosepulp.com

Liz Henderson http://www.true-blood.net , http://www.onceuponafansite.com , http://www.nicegirlstv.com

Samantha Henry http://www.scifidramaqueen.com

M. D. Jackson http://www.michaeldeanjackson.blogspot.com

Monique Jacob http://www.moniquejacob.com

Geoffrey James http://www.geoffreyjames.com , http://www.sorcerer.net

J. Jay Jones

Peggy Kolm http://blog.sciencefictionbiology.com

Justin Landon http://www.staffersbookreview.com

Andrew Liptak http://www.andrewliptak.wordpress.com

Meilissa Lowery http://www.true-blood.net , http://www.sidcity.net , http://www.chucktv.net

Barry Malzberg

C. E. Martin http://www.troglodad.blogspot.com , http://www.mythicaltheseries.blogspot.com

Farrell J. McGovern http://www.can-con.org

Steve Miller http://stevemillerreviews.blogspot.com , http://nuelow.blogspot.com/

Matt Mitrovich http://alternatehistoryweeklyupdate.blogspot.com

Aidan Moher http://aidanmoher.com/blog

Kevin Murray www.kevinmurray.ca , http://www.falloutfiles.com

Ken Neth http://nethspace.blogspot.com

Astrid Nielsch  http://webdesign.asni.net/ ,             http://www.asni.net ,             http://www.asni.net/newsletter.php , http://music.asni.net/ , http://conceptart.asni.net/

D. Nicklin-Dunbar http://mouldysquid.wordpress.com/book-reviews

John Purcell http://efanzines.com/Prior/index.htm

James Rogers http://scienceismagic.com/

Diane Severson www.divadianes.blogspot.com , http://www.starshipsofa.com/category/podcast/fact-articles/poetry-planet/ , http://www.sfpoetry.com

Doug Mmith http://www.smithwriter.com

Lesley Smith

Bill Spangler

Duane Spurlock  http://pulprack.blogspot.com , http://spurandlock.blogspot.com , http://duanespurlock.blogspot.com

Michael J. Sullivan http://www.riyria.com

G. W. Thomas http://www.gwthomas.org

Erin Underwood http://www.underwords.com

Stephan Van Velzen http://www.rantingdragon.com

Cynthia Ward – http://www.cynthiaward.com , http://www.writingtheother.com

Michael Webb http://www.martianexpatriate.com/

Keith West http://www.adventuresfantastic.blogspot.com , http://futurespastandpresent.blogspot.com

John M Whalen http://johnmwhalen.wordpress.com

Ann Wilkes http://sciencefictionmusings.blogspot.com

Karlo Yeager

Leah Zeldes http://www.zeldes.com , http://www.thewaythefutureblogs.com , http://www.diningchicago.com/blog

 

-Ends-

A complete copy of this press release will appear on the Amazing Stories Blog on the date of release and can be found here

Oct 092012
 

Yesterday I read three articles worth considering for anyone serious about writing fiction. The first was The Widening Gyre: 2012 Best of the Year Anthologies by Paul Kincaid, written for the LA Review of Books. This piece looked at Gardner Dozois’s The Year’s Best Science Fiction : Twenty-Ninth Annual Collection, Richard Horton’s The Year’s Best Science Fiction and Fantasy : 2012 Edition and the Nebula Awards Showcase 2012. The Year's Best Science Fiction and Fantasy 2012, edited by Richard Horton

Kincaid begins his lengthy and extremely well-argued article thus:

‘The overwhelming sense one gets, working through so many stories that are presented as the very best that science fiction and fantasy have to offer, is exhaustion. Not so much physical exhaustion (though it is more tiring than reading a bunch of short stories really has any right to be); it is more as though the genres of the fantastic themselves have reached a state of exhaustion.

In the main, there is no sense that the writers have any real conviction about what they are doing. Rather, the genre has become a set of tropes to be repeated and repeated until all meaning has been drained from them.’

Kincaid considers the crisis of identity and confidence within SF, a genre now so uncertain of itself that it willingly expands to encompass without seeming contradiction the now much more commercially popular Fantasy genre. He compares a 40 year old story “And I Awoke and Found Me Here on the Cold Hill’s Side” by James Tiptree, Jr. – included in the Nebula anthology as a tribute to the late author – and finds it to have a ‘life and vitality way beyond anything else in these three anthologies.’ Kincaid concludes that there is now a ‘sense that the future is something to be approached wearily because we have already imagined it and rubbed away anything that was bright and new.’ Has science fiction become old, introspective and complacent? And if so, what can we do about it? And does Kincaid’s argument extend to other genres, to mainstream literary fiction? I would suggest that it does. That much fiction has become a tired, ironic game, devoid of conviction.

Immediately after the Kincaid I read an article on Twitch Film by Jim Tudor called After The Boys of Summer Have Gone: A Look Back at the Summer Movie Season and found essentially the same view as Kincaid’s being expressed, this time regarding the year’s big summer movies. Tudor employs an inspired device of heading sections of his article with lyrics from the 1984 Don Henley hit ‘The Boys of Summer’. This evokes a nostalgic sense of better days now irrevocably lost, while simultaneously pointing back to an era when genre films – Blade Runner, The Thing, Videodrome, The Fly, The Terminator – were more frequently crafted with the idea that what was on screen meant something beyond box office dollars. The current bland, forgettable, hollow remake of Total Recall, loosely based on Philip K. Dick’s ‘We Can Remember It For You Wholesale’, stands for the whole malaise.

Total Recall 2012 remake poster

Tudor concludes, ‘Indeed, the summer movie season has come to represent something … A certain something, a flair, that’s time may’ve passed. Or at least we like to think it’s passed. Innocence … Wonder … Unapologetic fun … These are things that Hollywood seems to have all but forgotten, and we may not even realize that we need.’

Finally, written in response to Kincaid’s piece, and relevant to Tudor’s, is a superb blog entry by UK critic Jonathan McCalmont on his Ruthless Culture site titled Cowardice, Laziness and Irony: How Science Fiction Lost the Future. McCalmont goes deeper, citing the domination of neo-liberal capitalism and post-modern modes of thought as explanations for SF losing its direction, purpose and engagement with what may actually be our future in favour of retreats into sanitised fantasies devoid of moral or political relevance to the real world. It is the longest and best of the three articles and is an important piece for anyone who is serious about their writing, regardless of genre.

In the end, if you don’t believe in anything, how can you write a story or novel that means something?

Sep 142011
 

Dracula cover, 1902Twilight fans probably need not bother trying to lobby for their favourite, as The Horror Writers Association (HWA) is proud to announce it will present the Bram Stoker Vampire Novel of the Century Award at the Bram Stoker Awards Banquet in 2012. The Banquet will be held at the World Horror Convention in Salt Lake City on 31 March 2012.

A jury chaired by Leslie S. Klinger and comprised of writers and editors James Dorr, Linda Addison, Ron Breznay and Jo Fletcher will endeavour to select the finest vampire novel published since Bram Stoker’s passing in the century 1912. Stoker, of course, wrote Dracula. Full details at the link above.

Meanwhile on a related note the Horror Writers Association blog has moved here.


Sep 132011
 

Yesterday morning I received a signed copy of Christopher Priest’s latest book, The Islanders, direct from the author. This is Priest’s first book length fiction since the Arthur C. Clarke Award winning The Separation, and since the release of the film The Prestige, based on the author’s James Tait Black Memorial Prize winning novel of the same name. What follows are some spoiler-free notes towards a later review.

Christopher Priest - The IslandersIn the first 22 pages of The Islanders Christopher Priest uses the word ‘adjacent’ three times.

By some counts The Islanders is Christopher Priest’s **? book, if one includes works of non-fiction, chapbooks and works written under a pseudonym. Do we count  chapbooks, small publications such as The Song of the Book? Does The Book on The Edge of Forever count? – an account of the non-publication of another book (Last Dangerous Visions) by another author which if it did exist would be an anthology of stories many other writers.

But even if we consider only Priest’s fiction it is still difficult to reach an agreed number. What of the two slightly different versions of the story collection Real Time World? Do we count one, or both? Or the different revised texts of the novel The Glamour – for which Priest also wrote another version as a BBC Radio play? Itself which exists in two versions, one running approximately 100 minutes, the other, containing exactly the same material but time compressed to fill a 90 minute broadcast slot.

The Islanders is Priest’s **? novel, if we count works written under a pseudonym. But which pseudonyms? It’s well known that Priest wrote the ‘book of the film’ of eXistenZ as John Luther Novak, but what about certain other books which have long been rumoured to have been the author’s work, but which Priest has always denied?

As Chaster Kammeston writes in his introduction to The Islanders, ‘I did not write this book, although there have already been rumours that I did.’

Just as no one can be sure exactly how many islands there are in the world  - ‘There are no maps or charts of the Dream Archipelago. At least there are no reliable ones, or comprehensive ones, or even whole ones.’ – no one can be sure how many books Christopher Priest has written. All we can affirm is that The Islanders is one of them.

The Islanders documents certain aspects of The Dream Archipelago, the central setting for Priest’s story collection The Dream Archipelago. The Dream Archipelago was of course location for half of what is perhaps Priest’s greatest novel, The Affirmation. The Islanders is not a sequel, it is perhaps not a novel in the conventional sense, but a geographical, historical, biographical gazetteer of a place which seemed an ‘alien’ world in The Affirmation, half of which was located in a world parallel with our own (in that it contained a country called England with a capital city called London), while the other half introduced us to a country called Faiandland with a capital city called Jethra and a previously unknown chain of islands spanning the entire girth of the planet.

In The Islanders Priest writes about the world which is home to The Dream Archipelago as if it were exactly as real as the world in which we live, of which so far he has made no mention.

In a year or two, if shelved in order of publication The Islanders will separate Priest’s previous novel, The Separation, from his next, to which it will be adjacent. That novel already has a title. It is called The Adjacent.

*

You can read my interview with Christopher Priest here.

Sep 122011
 

This just in from Ian Whates at NewCon Press…

 NewCon Press is proud to announce an exciting new venture, Imaginings.  A series of short story collections (approximately 50,000 words); each volume will feature the work of a single selected author, bringing together the very best of that author’s previously published but uncollected short fiction, as chosen by the author themselves, plus original stories. Imaginings will be published at three or four month intervals. The first volume will appear January 2012. There will be a signed and numbered hardback edition limited to 100 or 125 copies, plus an e-book & kindle version.  No paperback edition. Each volume of Imaginings will feature generically similar cover design and layout (though with individual cover art), so that the books build into a credible series. The signed hardback editions of Imaginings will be available to buy via the NewCon Press website, priced at £19.99 (plus shipping, currently £2.50 per book within the UK). Or… Imaginings can be purchased via subscriptionThe advantages? Reduced price.  Two volumes: £38.00, three volumes: £55.00, four volumes: £72.00.

  • Shipping within the UK will be free (and discounted for overseas subscribers).
  • Subscribers will ‘buy’ a number within the limited edition run.  Every volume you receive will feature that number, which remains yours exclusively until the subscription lapses, at which point it will become available to others.
  • In addition to the hardback volume, subscribers will receive a free copy of the e-book.
  • Subscribers are guaranteed a copy of a high quality, very limited book which is likely to sell out rapidly and become highly collectable.

The first six authors to feature in Imaginings have already been selected.  The precise order of publication has yet to be determined, depending on a number of factors; not least the authors’ individual schedules and commitments.  Alphabetically, then, the first six authors to grace Imaginings with their finest work will be: Nina Allan Stephen Baxter Pat Cadigan Jon Courtenay Grimwood Tanith Lee Adam Roberts To subscribe and ensure you don’t miss out, contact Ian Whates at: finiang@aol.com

Sep 092011
 

The Guardian reports that new research suggests reading fiction – even, shock, horror, fantasy fiction! – is good for you and society.

Shira Gabriel and Ariana Young conducted a study involving reactions to reading extracts from the Harry Potter and Twilight novels. In Becoming a Vampire Without Being Bitten: The Narrative Collective-Assimilation Hypothesis they write: ”The current research suggests that books give readers more than an opportunity to tune out and submerge themselves in fantasy worlds. Books provide the opportunity for social connection and the blissful calm that comes from becoming a part of something larger than oneself for a precious, fleeting moment.” (Full article published in the journal Psychological Studies).

Or as Keith Oatley, professor of human development and applied psychology at the University of Toronto comments, ”I think the reason fiction but not non-fiction has the effect of improving empathy is because fiction is primarily about selves interacting with other selves in the social world.” He adds, “reading fiction improves understanding of others, and this has a very basic importance in society, not just in the general way making the world a better place by improving interpersonal understanding, but in specific areas such as politics, business, and education. In an era when high-school and university subjects are evaluated economically, our results do have economic implications.”

Coming soon, Harry Potter and the Psychopathy of Bankers.

 

 

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