Author: Gary Dalkin

Boo Books limited edition of Dead Leaves, beautifully presented as a 1980s VHS tape 0

Interview: Dead Leaves & The Electric author, Andrew David Barker

Andrew David Barker was born in Derby, England, in 1975. I first heard about his novella, Dead Leaves, when He asked me to provide some developmental editorial input on a draft of the manuscript, which he did as a result of this interview, originally conducted with him for Amazing Stories. The interview coincided with the paperback publication of The Electric, Barker’s first novel, a ghost story steeped in a love of movies, especially genre flicks from the old Universal classics to The Texas Chainsaw Massacre and Jaws. The Electric is also a nostalgic, bittersweet coming of age story, a resonant, evocative, deeply moving tale with shades of vintage Bradbury and King. It is quite an achievement. Dead Leaves is equally nostalgic, though a much gritter story about a group of teenage friends in Barker’s hometown of Darby in the early 1980s coming to terms with young adulthood while trying to find a copy of the horror film The Evil Dead at the height of Britain’s moral panic over ‘video nasties’. Dead Leaves it is not a horror story, but is an autumnal tale suited to October country, informed by a love of horror movies and the power that film can have to inspire a youthful imagination. It is perhaps therefore no surprise that Andrew David Barker is also a filmmaker …

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Book Review: Echoes From The Macabre: Selected Stories, Daphne du Maurier

As a follow up to my posts about Daphne du Maurier’s fiction and her adopted county of Cornwall, here is a review of her 1976 collection Echoes From The Macabre: Selected Stories (Gollancz), a reprint collection focusing on some of the author’s more horrific tales. The stories date from the period 1952-71. They are: ‘Don’t Look Now’, ‘The Birds’, ‘The Apple Tree’, ‘The Old Man’, ‘The Pool’, ‘The Blue Lenses’, ‘The Chamois’, ‘Not After Midnight’, and ‘Kiss Me Again, Stranger’. …

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The New Media Writing Prize

Recently I was a guest at the 5th New Media Writing Prize awards ceremony at Bournemouth University. The Prize was originally established in conjunction with the Poole Literary Festival, and as part of the Festival I was involved in promoting the Prize in its first year. This year was the first time since then that I have been able to return, and it was gratifying to see how, under the enthusiastic direction of Dr James Pope, BA English Framework Leader at BU and competition director …

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Daphne du Maurier Country – Rebecca to the Macabre

If Dorset’s most celebrated writer is Thomas Hardy then Cornwall’s is surely Daphne du Maurier. So never having read it before, I decided to prepare for our holiday by reading her most famous novel, Rebecca. I was familiar with the Hitchcock film, and with the 1997 TV mini-series, but the only du Maurier I had previously read was the novella ‘Don’t Look Now’ and the short story, ‘The Birds’. The former, of course, provided the basis for the great Nic Roeg film …

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Film Review: Mr. Nobody

Mr. Nobody is the best film I’ve ever seen that hardly anyone has ever heard about. If you are interested in great cinema, or simply in imaginative storytelling and story construction then you owe it to yourself to see this unknown masterpiece. Mr. Nobody is a 2009 Belgian, German, French, Canadian co-production, set in England and Canada and filmed in English. It was made on a budget of around $47 million, but looks like it cost at least three times that. …

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Cloud Atlas, Skyfall and the McDonald’s-isation of Storytelling

This post is a follow-up to Cloud Atlas Shrugged – or let the Skyfall. The first post was written in February 2013, this one that December. Both were originally published on Amazing Stories. The subject of both posts is the death of originality and creative storytelling in Hollywood cinema, but it applies equally to the drive to publish books as franchises rather than self-contained, individual novels. Back in February, I wrote about the difference in the …

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Cloud Atlas Shrugged – or let the Skyfall

Here is something I wrote a while ago, back in February 2013, and which was originally published on Amazing Stories. It still seems relevant, and with David Mitchell’s latest book, The Bone Clocks, now out, in case you missed it before, here it again. Cloud Atlas paperback coverOn Monday the latest James Bond film, Skyfall, was released on Blu-ray and DVD in the UK. Tomorrow Cloud Atlas will open in UK cinemas. Two films, poles apart. Skyfall, the 23th entry …

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Exploring Daphne du Maurier’s Cornwall

In June we went to Cornwall, to Daphne du Maurier country, so here are some photos relating to all things du Maurier from our short holiday. One day in 1936 the young Daphne du Maurier was out riding on Bodmin Moor with her friend Foy Quiller-Couch. They became lost, but eventually found their way to the Jamaica Inn. While recovering from their ordeal Daphne and Foy heard tales of long ago smuggling adventures and du Maurier was inspired to write her fourth novel. …

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Interview: Jonathan Oliver, editor-in-chief, Solaris Books

Jonathan Oliver is one of the UK’s top genre editors. He is also a novelist, short story author and creator of shared-worlds. Recently I interviewed him by email. – Gary Dalkin: “You are editor-in-chief of three imprints – Solaris, Ravenstone and Abaddon Books – all published by Rebellion Publishing Ltd. What is your background and how did you end up in your current position? Perhaps for readers who are not familiar with Rebellion you could outline the idea behind each of …

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Book Review: The Kings of Eternity, Eric Brown

The Kings of Eternity is a novel with one foot happily in the mainstream and one in genre. As such it is a book which may baffle those who don’t ‘get it’; a novel written unapologetically for those of us who have grown-up with genre fiction but who also read and appreciate writing sometimes classified as ‘literary fiction’. Not that such a distinction holds much water, is rather a false dichotomy; genre being delineated by content, ‘literary fiction’ being assumed by some as involving …